Ella Jinks finds beauty in reflection on ‘The In Between’.
Ella Jinks continues to carve out her own space in the singer-songwriter world with The In Between, a collection that expands on the delicate intimacy of her debut while embracing a richer, fuller sound.
The London-based artist has already earned recognition through BBC Introducing and a high-profile co-write with Katie Melua, and this latest EP feels like a confident step forward, both sonically and thematically. With its striking balance of vulnerability and self-assuredness, The In Between sees Jinks explore the murky spaces of self-discovery with a refreshing sense of honesty.
The EP thrives on its ability to blend deeply personal songwriting with grander instrumentation. Lead single Just Another Day is a clear standout, driven by sweeping string arrangements and layered harmonies that showcase Jinks’ knack for creating evocative, cinematic soundscapes. Meanwhile, The Fall—a co-write with Melua—exemplifies her ability to translate introspection into something universally relatable, its bluesy folk-inflected melodies underscoring the push-and-pull of emotional growth. Across the project, Jinks’ vocals remain the focal point, her voice carrying a rich depth that recalls the likes of Laura Marling and Lianne La Havas, yet remains distinctly her own.
One of the most compelling aspects of The In Between is its emotional depth. Jinks describes the project as a means of confronting the hidden aspects of herself, and that sentiment resonates throughout. These songs don’t just capture moments—they sit with them, allowing emotions to unfold naturally. Whether it’s the quiet contemplation of Maybe In Another Life or the swelling instrumentation of This Fall, Jinks has an innate ability to turn personal reflections into something universally resonant. This thematic cohesion, even amid varied sonic landscapes, is what makes The In Between feel like such a significant evolution for her.
Beyond the songwriting, the production choices help set this EP apart from her previous work. While Conversations leaned into a more stripped-back approach, The In Between benefits from the lush arrangements and full-band dynamics that surround Jinks’ voice without overshadowing it. Collaborating with Matt Ingram (Florence + The Machine, Laura Marling) has resulted in a sound that feels expansive yet intimate—a difficult balance to strike but one that serves Jinks’ artistry well. With contributions from bassist Chris Dagger (The Staves, Freya Ridings) and strings from Tom Hobden (Noah and the Whale, Gang of Youths), the sonic textures bring an added richness that elevates the project.